Emily dickinson writing style essay is a featured article. Click here for more information. December 1846 or early 1847 is the only authenticated portrait of Emily Dickinson later than childhood.
The original is held by Amherst College Archives and Special Collections. Although part of a prominent family with strong ties to its community, Dickinson lived much of her life in reclusive isolation. Considered an eccentric by locals, she developed a noted penchant for white clothing and became known for her reluctance to greet guests or, later in life, to even leave her bedroom. Dickinson never married, and most friendships between her and others depended entirely upon correspondence. Dickinson was a recluse for the later years of her life. While Dickinson was a prolific private poet, fewer than a dozen of her nearly 1,800 poems were published during her lifetime. The work that was published during her lifetime was usually altered significantly by the publishers to fit the conventional poetic rules of the time.
Many of her poems deal with themes of death and immortality, two recurring topics in letters to her friends. Although Dickinson’s acquaintances were most likely aware of her writing, it was not until after her death in 1886—when Lavinia, Dickinson’s younger sister, discovered her cache of poems—that the breadth of her work became apparent to the public. A complete, and mostly unaltered, collection of her poetry became available for the first time when scholar Thomas H. From the Dickinson Room at Houghton Library, Harvard University. December 10, 1830, into a prominent, but not wealthy, family. Amherst and a trustee of Amherst College.
In 1813, he built the Homestead, a large mansion on the town’s Main Street, that became the focus of Dickinson family life for the better part of a century. By all accounts, young Emily was a well-behaved girl. Dickinson attended primary school in a two-story building on Pleasant Street. Her education was “ambitiously classical for a Victorian girl”.