We offer free writing support to Mason students, faculty, and staff. Accomplished graduate and undergraduate students provide our face-dialogue essay about social issues-face tutoring, online tutoring, and workshops. We work with writers through all stages of the writing process from brainstorming and organizing to revising and polishing. Holding a Giving Day expresses our belief in the power of broad-based support, especially from alumni.
It’s also a reminder that each and every person who sees the promise of George Mason University, its amazing faculty and enterprising students, can be a donor. In this article, I’ll show you what some of the most well-known writers of the century have said about how writing is done. Being a writing professional in the Writing Center is, in some ways, the opposite of being a ghostwriter. While I trained myself to be a skilled technician who treats the client as the author during my time as a ghostwriter, a writing center tutor’s purpose is to empower the client as a writer. A year out of college, I got a job at National Journal, a political media company in Washington, D.
The team I was on researched political advocacy tactics and produced reports recommending certain strategies to our readers. Early in my time there, a humbling experience occurred to me with some frequency. Used appropriately, movies based on novels or short stories can supplement units based on the written original, enhance students’ interest in analyzing the written work, and motivate classes to excel in completing assignments that teach the skills required by the ELA curriculum. Studying a cinematic adaptation of a literary work will show students how words are converted to visual media and allow a comparison of the written original to the cinematic version, permitting teachers to highlight the techniques of both film and the written word in telling a story. Presenting a filmed adaptation with high production values will demonstrate that movies can be an art form which communicates differently, but no less importantly, than the written word.
Moreover, when used as a reward for having read a novel, a filmed adaptation can demonstrate that novel-length works of fiction usually contain a wealth of detail, information, and subplot that cannot be included in a movie. For all of these reasons, filmed adaptations of novels, short stories, or plays, are excellent resources for lessons requiring students to learn and exercise the analytical and writing skills required by ELA curriculum standards. Note that novels and short stories can be analyzed for their use of the devices of fiction. Plays employ most of the devices of fiction but add the theatrical devices of music, sound effects, lighting, acting, set design, etc. Movies employ most of the fictional and theatrical devices as well as a separate set of cinematic techniques such as shot angle, focus, editing, etc.
This essay focuses of the literary devices shared by written works, theatrical works, and film. This avoids the problem of students watching the movie in place of reading the book or story. Students who have difficulty reading a novel or a short story can often follow the conflicts, complications, and resolutions in a screened version that they would otherwise miss. Viewing a filmed adaptation of a book by Jane Austen enables students to understand the story and avoid getting lost in the language as they read. Edited by Linda Troost and Sayre Greenfield, 1998, University of Kentucky Press, pages 140 – 147. Plays, which were meant to be watched rather than read, are usually a different matter.